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The Spirit Mod adds many new music tracks to the game for its Bosses, Biomes, Events and even a few of vanilla Terrarias Biomes. So far there are 33 different tracks currently in-game. 32 of tracks in the current Spirit Mod OST were made by Salvati, with 1 track remaining from the original Spirit Mod OST composer made by LordCakeSpy.
A chip little tune, this song uses lush synth pads and a bitcrushed guitar to create the atmosphere of an unlanded Meteor, contrasting how big the Space music track feels.
It is a remix version of the original track. The theme supposes to reflect the biome's eerie atmosphere during the nighttime while capturing the sense of the dreaded tone from the original version.
It is a remix of the mining theme, mixed with a bit of the track Ghastly Atmosphere. Its haunting chords and key changes are sure to keep the soothing tension at a max.
The song is made to feel empty, cold, broken, and sad. You were never supposed to come down here. The song features elements from the first 3 Spirit songs from the layers above, as well as some new elements. Glitches and Stutters hold this song back from playing out its beautiful melody.
With a true Orchestral-Synth blend, and the emulated sound of giant wings flapping. This song leans back and forth, as the Ancient Avian swipes across your screen.
It's made to capture the feeling of stargazing from the endless hills of sand. You can hear tiny bits of Crawling Complications spread out through the song if you listen close enough.
This theme is supposed to reflect the inspiration from Greek Mythology in the biome. Brass and orchestral taikos keep this song moving, and a slow emotional breakdown at the end.
This theme was made to sound like sneaking around a mystical cave. Which is sorta what the Granite Biome is, with the fighting rocks and the Granite Elementals. It also features a bit of a Generic Trap beat breakdown, an Undertale reference, and a soft and reassuring synth playing strange chords to solidify the feeling that this place is magical somehow.
It features a slow percussion, and a piano bell sound with decimate distortion to make it sound a bit cold. The song has several breakdowns, all of which play off the previous segment. And the end is made to sound a bit Christmas like, with faint sleigh bells and a reassuring piano melody.
Echoes of spiders feasting on their victims echo throughout this track, and little voices queue up left and right. A slightly changed version of this track is featured in The Living World Mod.